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Anne-Sophie Pic Leaves La Dame de Pic for a Table Inside the New Fondation Cartier

Openings · August 10, 2026 · 3 min

Anne-Sophie Pic Leaves La Dame de Pic for a Table Inside the New Fondation Cartier

On September 9, the chef opens a restaurant carrying her own name inside Jean Nouvel's rebuilt home for the Fondation Cartier, facing the Louvre — and closes the address that came before it.

A museum does not usually get to choose its restaurant. This one chose Anne-Sophie Pic.

The Fondation Cartier pour l'art contemporain reopened last October at 2 place du Palais-Royal, in a Haussmannian building — the former Louvre des Antiquaires — rebuilt from the inside by Jean Nouvel, its five mobile platforms facing the Louvre across the square. What the building did not yet have was a kitchen worthy of the address. It will, from September 9: Anne-Sophie Pic Paris, a restaurant carrying the chef's own name for the first time in the capital, designed by the Moinard Bétaille agency to sit inside Nouvel's architecture rather than compete with it.

The move closes a chapter. La Dame de Pic Paris, the restaurant she opened at 20 rue du Louvre in 2012, will shut as the new address opens — not a second restaurant added to the roster but a replacement, the kind of decision Pic has made rarely since taking sole charge of the family restaurant, Maison Pic in Valence, in 1997 — five years after her father Jacques's death — and building it back to three stars. A bar, Utopic, opens a few days earlier, on September 4, with its own street entrance on rue de Marengo — a way into the building, and the evening, that does not require a dinner reservation.

What the pairing bets on is not novelty but a kind of institutional trust: a foundation that has spent over four decades commissioning artists to reimagine what its walls could hold has now asked a chef to do the same with its table. Pic's cooking has long leaned toward restraint over spectacle — cuisine built on clarity rather than flourish — which reads as a deliberate match for a building whose own architecture, all mobile platforms and emptied-out volumes, makes the same argument in concrete and glass.

What sets this address apart from the one it replaces is not the food but the frame: a building the city has been watching since the scaffolding came down on Place du Palais-Royal, now handing its ground floor to a name that no longer needs an introduction — just Anne-Sophie Pic, Paris.

— Camille

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